VEMUS (Virtual European Music School) aims at developing and thoroughly validating an open, highly interactive and networked multilingual music tuition framework for popular instruments such as the flute, the saxophone, the clarinet and the recorder. The system will address students of beginning to intermediate level. The VEMUS environment will integrate innovative, pedagogically-motivated e-learning components to augment traditional music teaching in different learning settings:
Addressing these three distinct but complementary learning environments through an environment and interoperable tools, will permit VEMUS to smoothly blend e-learning with traditional face-to-face lessons. These will provide the technological and pedagogical basis for a virtual meeting and practicing place for students and teachers from around Europe: a Virtual European Music School. The introduction of novel technological tools for music tuition will allow for the exploration of new teaching practices in music that will enrich the traditional procedures.
VEMUS will build on the results and the existing platform and tools developed and preliminarily validated in the context of the successful IMUTUS project that concluded recently. IMUTUS (IST-2001-32270) delivered an efficient self-practicing environment with automatic high-level performance assessment features and a distance learning infrastructure for sharing learning content and for communication. The assessment and validation activities of IMUTUS have provided clear evidence for the strong potential of the introduced approach for instrument practice.
VEMUS will bring that approach further, extending to new learning environments and covering the needs of additional learning settings and a wider audience. VEMUS will elaborate on the distance learning environment and enhance the learning objects with additional meaningful and well-motivated metadata that will allow the characterization content on the basis of basic musical and instrument control skills. Highly innovative classroom features such as collaborative authoring and sharing of resources and learning objects in the classroom will also be explored to ensure a consistent link between working in the classroom and working at home on material collected in the classroom.
The VEMUS Consortium includes 6 countries, 3 of which are new or candidate member states. VEMUS gathered in its ranks all the necessary expertise from the critical areas involved and clearly adopts a European dimension with the participation of partners from 6 countries, 3 of which are new or candidate member states. Using music as the main vehicle and engaging groups in different countries and diverse contexts, VEMUS seeks to reach people from different backgrounds and cultures, creating cultural links and ensuring a larger sharing of knowledge and research results and a larger impact.
VEMUS adopts a strongly user-centred approach, with user groups actively participating throughout the lifetime of the project: from requirements, to field-tests, evaluation activities, and over. This network will help achieve a wider spread of the project results and raise awareness on music e-learning. The high participation of user groups in the consortium assures a strongly user-centered implementation process and brings to the project the opportunity to develop its approach at an even larger scale and to address critical factors that will provide the basis for wider subsequent deployment initiatives.
With planned market-related activities and the participation of SME’s, one of which is a major music house in Greece with significant and prolonged experience in the field, VEMUS will also be able to incorporate a market-oriented dimension, investigating, planning and pursuing opportunities for the exploitation of the project results.
Currently, there is no commercial or other system that incorporates the features planned for VEMUS. Existing systems cover isolated parts and, most of times, do so very poorly. If IMUTUS has been an innovation in self-practicing, VEMUS can revolutionize music tuition by presenting a complete approach covering individuals, groups and music classes, as well as organizations such as music schools and conservatories, and seamlessly blending e-learning and innovative technological enhancements with traditional face-to-face lessons in a complete learning setting.
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The WAVE was born on Valentine’s Day, February 14th, 1987. It was not only the beginning of a new radio station; a format was born that day. The press release heralding the launch of this new format concluded with “KTWV, The WAVE is the first station to embrace the best forms of today’s music, and provides Southern California with a true radio alternative that satisfies listeners’ needs in the car, at work and at home.” Well over a decade has passed since that statement was made, and it still holds true.
The WAVE has since grown into a true powerhouse in Southern California radio, maintaining top ratings over the past several years. Even with its mass appeal, the WAVE remains distinctively different from anything else on the radio dial.
The format that the WAVE launched was originally dubbed “New Adult Contemporary” by the industry. However, over the years, after asking our audience what our unique music blend means to them; time and time again, they call our music “Smooth Jazz.” Therefore, our “full name” is “Smooth Jazz, 94.7 The WAVE.” The music is a sophisticated, yet accessible blend of contemporary instrumental jazz and smooth vocals. Some of the artists you can hear on the station are George Benson, Kenny G, Sade, Luther Vandross, David Sanborn, Phil Collins and a host of others. And… The WAVE’s music is firmly focused on new, emerging artists in the contemporary jazz and pop fields.
Our on-air goal is to make people feel good. The music, the presentation by our seasoned staff of air talent, our promotions, community involvement and literally every other element broadcast over the airwaves contributes to that “feel good” concept.
It is a philosophy we carry over to our clients as well. We feel fortunate in being able to turn our passion for music into a viable, successful vehicle for both our listeners and advertisers.